In 1900, America and England were in the grip of a cat craze. An animal that had for centuries been seen as a household servant or urban nuisance had now become an object of pride and deep affection. From presidential and royal families who imported exotic breeds to working-class men competing for cash prizes for the fattest tabby, people became enthralled to the once-humble cat. Multiple industries sprang up to feed this new obsession, selling everything from veterinary services to leather bootees via dedicated cat magazines. Cats were being traded for increasingly large sums of money, bolstered by elaborate pedigrees that claimed noble ancestry and promised aesthetic distinction.
In Catland, Kathryn Hughes chronicles the cat craze of the early twentieth century through the life and career of Louis Wain. Wain's anthropomorphic drawings of cats in top hats falling in love, sipping champagne, golfing, driving cars, and piloting planes are some of the most instantly recognizable images from the era. His round-faced fluffy characters established the prototype for the modern cat, which cat "fanciers" were busily trying to achieve using their new-found knowledge of the latest scientific breeding techniques.
Despite being a household name, Wain endured multiple bankruptcies and mental breakdowns, spending his last fifteen years in an asylum, drawing abstract and multicolored felines.
But it was his ubiquitous anthropomorphic cats that helped usher the formerly reviled creatures into homes across Europe.
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Some guy put this cat book in the box beside our door. It's full of strange cat drawings. So Bonnie wrote about the book for Caturday.
Hey, Bonnie! This day is supposed to be MY day for blogging. Did you forget? Okay, maybe I'll settle for this footnote today, but at least consult me next time, please? It's CATurday, and I want to read the Catland book next.
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